Published by Calibre Publications, Patiala, "Mitti Di Sultanat" (translated as "Sultanate of Soil") is Kanwal Bajwa's second poetry collection, following his 2019 debut, "Sulagda Shamadan." This compilation of 58 poems spanning 103 pages continues to explore Bajwa's profound engagement with his cultural and social milieu, particularly focusing on the peasantry, revolutionary ideals, and historical narratives.
In "Mitti Di Sultanat," Bajwa crafts a vivid and hopeful portrayal of his surroundings, skillfully intertwining themes of peasant struggles, revolutionary thought, and the everyday lives of common people. Through his poetic lens, Bajwa transforms the mundane into the extraordinary, offering readers a poignant glimpse into the lives of the "Sultans of the soil"—the farmers and laborers who form the backbone of society.
The collection stands out for its evocative imagery and emotional depth. Poems like "Rabi Kana," "Kranti," and "Mahapurukh" are exemplary of Bajwa's ability to capture the essence of the peasant struggle and the spirit of revolution. "Rabi Kana" delves into the cyclical nature of agricultural life, portraying the resilience and tenacity of the farmers who toil the land. "Kranti" (Revolution) is a call to arms, a powerful testament to the enduring spirit of resistance and the fight for justice.
"Mahapurukh" (Great Man) offers a reflective homage to historical figures who have shaped the course of history, imbuing the past with a sense of reverence and awe. Bajwa's treatment of such figures is not merely celebratory but also introspective, questioning the impact and legacy of these icons on contemporary society.
Bajwa’s sensitivity as a poet is further evident in poems like "Behrodh God" and "Painful Death." These works delve into the more somber aspects of life, exploring themes of loss, betrayal, and the passage of time. "Behrodh God" (Rebellious Lap) tackles the complexities of familial and societal expectations, while "Painful Death" confronts the inevitability of mortality with a stark, unflinching gaze.
One of the standout features of this collection is Bajwa’s ability to weave serious, often somber events into his narrative without losing the thread of hope and resilience. Poems such as "Privatisation" and "Lokraj" (People's Rule) critique contemporary socio-political issues, highlighting the struggles of the common man in the face of systemic challenges. "Privatisation" addresses the erosion of communal assets and the adverse effects on the rural populace, while "Lokraj" envisions a utopian society where the power truly lies with the people.
Despite the overall excellence of the collection, a few poems fall short of the high standard set by the others. These outliers, however, do little to detract from the impact of the book as a whole. Bajwa's evocative language and insightful commentary make "Mitti Di Sultanat" a compelling read.
In conclusion, "Mitti Di Sultanat" solidifies Kanwal Bajwa’s position as a perceptive and empathetic voice in Punjabi poetry. His masterful storytelling and poetic prowess offer a resonant and impactful narrative of the lives and struggles of the common man. This collection is not only a celebration of the resilience and spirit of the "Sultans of the soil" but also a powerful commentary on the socio-political landscape they navigate.
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